NEW YORK 鈥� The global pandemic was not about to stop filmmaker Sam Levinson without a fight 鈥� literally.
The creator of HBO's 鈥淓uphoria鈥� found his hit series shuttered so he pivoted to writing and directing 鈥淢alcolm & Marie,鈥� a film about an epic lovers鈥� quarrel starring John David Washington and Zendaya 鈥� who also stars in the HBO show.
Set in a luxury California beach house, Washington's Malcolm 鈥� an up-and-coming director 鈥� and Zendaya's Marie 鈥� an out-of-work actress 鈥� have returned after a party where his film has premiered to rapturous applause. But he forgot to thank Marie and that leads to an outpouring of simmering grievances.
Levinson had been thinking about possible script ideas when he seized on this argument as a way to explore art and appreciation. He ran it past his wife, producer Ashley Levinson, a frequent collaborator whose credits include 鈥淏ombshell鈥� and 鈥淨ueen & Slim.鈥�
"I remember I was like I turned to Ash and I said, 鈥榃hat if it鈥檚 about a filmmaker who forgets to thank his partner at a premiere?鈥� And we just both burst into laughter because, granted, that might have been something I did at one point.鈥�
While he and his wife had a calm conversation after his slight, Levinson wrote a two-hour blow out, likely Malcolm and Marie's worst fight. 鈥淢alcolm, I promise you nothing productive is going to be said tonight,鈥� Marie warns.
But back and forth the lovers go, pushing and goading each other. She says he's a megalomaniac and a narcissist. He says she's needy and crazy. "Stop blaming me for your inabilities,鈥� Malcolm tells Marie. She yells: 鈥淒o you know how disturbing it is that you can compartmentalize to such a degree that you can abuse me while eating mac and cheese?鈥�
Is this how arguments go in the Levinson household? Ashley Levinson just laughs: 鈥淚f you know Sam at all, you know that this is Sam in battle with himself. I think he is both Marie and Malcolm.鈥�
During their on-screen argument, the couple also lash out at Hollywood and the hypocrisy of the movie business. They mock celebrities 鈥渋n a $2,000 dress talking about socialism on the red carpet鈥� and film reviewers who are clueless, throwing around academic nonsense to cover their lack of knowledge.
One critic in particular 鈥� a 鈥渨hite lady from the Los Angeles Times鈥� 鈥� is a repeated target. She has apparently panned Malcolm鈥檚 previous movie, but calls his new one 鈥渁 cinematic tour de force.鈥� Still, Malcolm is unhappy.
鈥淢alcolm is enraged not by a terrible review, but by a fantastic review. He鈥檚 being praised, but not in the way that he wants to be praised. So, therefore, he鈥檚 out screaming at the trees,鈥� said Sam Levinson. Making matters worse, Marie begins to side with this particular critic.
Washington said he was attracted to his character's intellect and love of craft. 鈥淚 love his insecurities 鈥� all on display, full display. I love the anxiety of being put in a box, whether it be socially or artistically,鈥� he said. "So just playing a human being 鈥� being unapologetically Black 鈥� it was a dream come true.鈥�
Sam Levinson 鈥� whose 2018 film 鈥淎ssassination Nation鈥� just happened to be roasted by a white female critic at the Los Angeles Times 鈥� wasn't going to be drawn into a real-life fight on the eve of his new film's release on Netflix.
鈥淚 think that the future of filmmaking has always been dependent on good criticism,鈥� he said, noting that his new film ends up siding with that Los Angeles Times critic. 鈥淚 think it鈥檚 rooted in deep respect for the profession,鈥� he said. 鈥淭here鈥檚 so many fantastic critics and I mean that sincerely.鈥�
For all its ferocity, 鈥淢alcolm & Marie鈥� was born of inaction. Virus pandemic fears shut down the 鈥淓uphoria鈥� set the day before the second season was to start production. The Levinsons wanted to keep their 鈥渇amily鈥� together.
鈥淭he restrictions of COVID kind of became an interesting challenge,鈥� Sam Levinson said. 鈥淐an we tell a story with just one house, two actors, nothing else, a skeleton crew? And and that鈥檚 sort of how it how it kind of evolved.鈥�
Shot in black-and-white and 35mm, the film employed many of the 鈥淓uphoria鈥� crew and they were offered a financial stake in it. The film opens with a vast list of production credits, nicely acknowledging the behind-the-scenes filmmakers right at the top.
By creating art in the pandemic, Sam Levinson and the 22 cast and crew became pioneers in establishing testing protocols, social distancing and quarantine procedures that have since become standard in Hollywood.
鈥淚t鈥檚 sort of incumbent upon us to help people who are unable to get back to work and also just share our findings with the rest of the business so we can figure out a path forward,鈥� he said.
He shakes off the comparison to a similar drama 鈥� Mike Nichols鈥� 1966 stark black-and-white film of Edward Albee鈥檚 play, 鈥淲ho鈥檚 Afraid of Virginia Woolf?鈥� Levinson said he never tried to ape that masterpiece ("I would fail miserably") but let it influence his exploration of how the lockdown has affected all of us.
鈥淚f we have the restrictions of one house, one location and two people, what are they going to be dealing with other than their relationship?" he said. "That felt like it might possibly speak to what a lot of the world is feeling right now, sort of stuck at home and dealing with the realities of being in a relationship.鈥�
Despite it's striped-down nature, the film is rich with topics. Ashley Levinson likes to think it's 鈥渁n examination of the fragility of an artist.鈥� Her husband hopes viewers will see gratitude: 鈥淚t鈥檚 a movie about acknowledging the life that the people around you build.鈥�
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Associated Press reporter Gary Gerard Hamilton contributed to this story
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Mark Kennedy is at http://twitter.com/KennedyTwits
Mark Kennedy, The Associated Press
