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Movie Review: Netflix's tight, taut and tension-filled 'Rebel Ridge' is a first-rate drama

鈥淩ebel Ridge鈥 opens with a shot of a lanky, muscular stranger riding into a small, corrupt Southern town 鈥 a scene we've all seen plenty of times. Except this stranger isn't in a truck or on a horse. He's on a bicycle.
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This image released by Netflix shows Don Johnson as Chief Sandy Burnne, left, and Emory Cohen as Officer Steve Lann in a scene from "Rebel Ridge." (Allyson Riggs/Netflix via AP)

鈥淩ebel Ridge鈥 opens with a shot of a lanky, muscular stranger riding into a small, corrupt Southern town 鈥 a scene we've all seen plenty of times. Except this stranger isn't in a truck or on a horse. He's on a bicycle.

It's one of many ways that writer-director Jeremy Saulnier both honors and has fun with movie conventions on his way to making clearly one of the best things on Netflix.

The tight, taut and tension-filled is the story of a former Marine who arrives in Shelby Springs, Louisiana, to post his cousin's bond and gets sucked into taking on its shady law enforcement department.

The last time a relative came to help his cousin from the clutches of less-than-ideal small town Southern legal system If you ever needed a hint that this isn鈥檛 that movie, the opening sequence is scored to Iron Maiden.

The movie stars as our former Marine, Terry Richmond, a man with mad martial arts and survival skills (he catches fish with his bare hands), and, on the opposite side, Don Johnson as the courtly but deadly chief of police, as venal as Richmond is noble. Both seem absolutely to adore their gun-slinging, testosterone-filled roles.

Saulnier 鈥 who dealt with frontier justice and lawlessness in his previous 鈥淏lue Ruin鈥 and 鈥淕reen Room鈥 鈥 has given this action-thriller loads of social context: racism, opioid addiction, the cash bail system, small-town funding and militarized cops.

Like its leading man, 鈥淩ebel Ridge鈥 is a lean, muscular movie with few over-the-top special effects, save for Pierre鈥檚 spectacular eyes. It鈥檚 a triumph of small-budget, naturalistic filmmaking, where cars on a gravel road kick up choking clouds of dust and arm bones crack when pressure is applied.

The script is spare 鈥 allowing for some homespun poetry like 鈥淵ou know the thing about a pissing contest? Everybody gets piss on their boots鈥 鈥 and without an ounce of fat. So if a bottle of coconut water is brought up in one scene, it鈥檚 going be used in another. There are interesting camera angles, like the backseat of a speeding car or a tense cell phone call inside an old-fashioned phone booth.

There's also great use of dramatic underscoring by Brooke and Will Blair, who build discordant waves that grow slack, only to reappear like a shark. The score 鈥 including 鈥淲ayfaring Stranger鈥 by Neko Case or 鈥淩ight Brigade鈥 by Bad Brains 鈥 are heard only on car radios or headphones or playing in restaurants. Distant thunder sounds often.

Our ex-Marine 鈥 described by one officer as 鈥渦narmed but considered dangerous鈥 鈥 forges an unlikely ally in a court clerk, played winningly by AnnaSophia Robb, and there's a plumb role for James Cromwell, too.

鈥淩ebel Ridge鈥 has whiffs of all kinds of other movies, from 鈥淔irst Blood鈥 to spaghetti Westerns, while the script even humanizes the bad guys 鈥 鈥淛ust because you was right doesn鈥檛 make us wrong,鈥 the chief says to our hero.

There's a conspiracy at the heart of the town and you likely won't be able to turn off the movie before finding out if one well-trained stranger can save the day, as things gloriously escalate. 鈥淚t鈥檚 gotten out of hand. Real soup sandwich,鈥 says our hero. That's not what ended up on your TV screen, though 鈥 it's the very opposite of a mess.

鈥淩ebel Ridge,鈥 a Netflix release that begins streaming on Friday, is rated TV-MA for 鈥渓anguage, smoking and violence.鈥 Running time: 131 minutes. Three and half stars out of four.

Mark Kennedy, The Associated Press

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