TOKYO (AP) 鈥� , who pioneered modern Japanese poetry, poignant but conversational in its divergence from haiku and other traditions, has died. He was 92.
Tanikawa, who translated the 鈥淧eanuts鈥� comic strip and penned the lyrics for the theme song of the animation series 鈥淎stro Boy,鈥� died Nov. 13, his son Kensaku Tanikawa said Tuesday. The cause of death, at a Tokyo hospital, was old age.
Shuntaro Tanikawa stunned the literary world with his 1952 debut work 鈥淭wo Billion Light Years of Solitude,鈥� a bold look at the cosmic in daily life, sensual, vivid but simple in its use of everyday language. Written before Gabriel Garc铆a M谩rquez鈥� 鈥淥ne Hundred Years of Solitude,鈥� it became a best-seller.
Tanikawa鈥檚 鈥淜otoba Asobi Uta,鈥� or 鈥淲ord Play Songs,鈥� is a rhythmical experiment in juxtaposing words that sound similar, such as 鈥渒appa,鈥� a mythical animal and 鈥渞appa,鈥� a horn, that makes for a joyful singsong compilation, filled with alliterations and onomatopoeia.
鈥淔or me, the Japanese language is the ground. Like a plant, I place my roots, drink in the nutrients of the Japanese language, sprouting leaves, flowers and bearing fruit,鈥� he said in a 2022 interview with The Associated Press at his Tokyo home.
Tanikawa explored the poetic, not only in the repetitive music of the spoken word but also the magic hidden in little things.
One of his works is titled, 鈥淚 wanted to talk to you in the kitchen in the middle of the night.鈥�
鈥淚n the past, there was something about it being a job, being commissioned. Now, I can write as I want,鈥� he said.
In every work Tanikawa tackled, including the script for Kon Ichikawa鈥檚 鈥淭okyo Olympiad, a documentary film of the 1964 Tokyo Games, the respectful love for the beauty of the Japanese language resonates.
He also translated Mother Goose, Maurice Sendak and Leo Lionni. Tanikawa has in turn been widely translated, including English, Chinese and various European languages.
Some of his works were made into picture books for children and they are often featured in Japanese school textbooks. He also incorporated Japanese words derived from foreign origins into his poems like Coca-Cola.
鈥淭anikawa鈥檚 poetry reflects a metaphysical and quasi-religious attitude toward experience. In simple, spare language, he sketches profound ideas and emotional truths,鈥� according to the Poetry Foundation, a U.S. literary organization.
Tanikawa was born in 1931, a son of philosopher Tetsuzo Tanikawa, and began writing poetry in his teens, circulating with the famous poets of that era, like Makoto Ooka and Shuji Terayama.
He said he used to think poems descended like an inspiration from the heavens. But, as he grew older, he felt the poems welling up from the ground.
In person, Tanikawa was friendly and unassuming, often reading in public with other poets. He never seemed to take himself too seriously but used to confess his one regret in life was never finishing his education, having dropped out amid stardom at a young age.
His relative isolation from the bleakly serious scholarly poetry scene of postwar Japan likely helped him take his free-verse approach that went on to innovate and define Japanese contemporary poetics.
Tanikawa said he wasn鈥檛 afraid of death, implying he perhaps meant to write a poem about that experience, too.
鈥淚 am more curious about where I will go when I die. It鈥檚 a different world, right? Of course, I don鈥檛 want pain. I don鈥檛 want to die after major surgery or anything. I just want to die, all of a sudden,鈥� he said.
He is survived by his son, musician Kensaku Tanikawa and daughter Shino and several grandchildren. Funeral services were held privately with family and friends. A farewell event in his honor is being planned, Kensaku Tanikawa said.
鈥淎s they did with all of you, Shuntaro鈥檚 poems stunned and moved me, making me chuckle or shed a tear. Wasn鈥檛 it all so fun?鈥� he said. 鈥淗is poems are with you forever.鈥�
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Yuri Kageyama is on X:
Yuri Kageyama, The Associated Press
